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<channel>
	<title>Anastasia Belinskaya</title>
	<link>https://abelinskaya.com</link>
	<description>Anastasia Belinskaya</description>
	<pubDate>Tue, 04 Nov 2025 17:11:07 +0000</pubDate>
	<generator>https://abelinskaya.com</generator>
	<language>en</language>
	
		
	<item>
		<title>index</title>
				
		<link>https://abelinskaya.com/index</link>

		<pubDate>Sat, 04 Nov 2023 19:15:03 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

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	<item>
		<title>about</title>
				
		<link>https://abelinskaya.com/about</link>

		<pubDate>Sat, 04 Nov 2023 19:15:04 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/about</guid>

		<description>
	
&#38;nbsp;e-mail&#38;nbsp;︎
instagram
studio


	

	I am a multidisciplinary artist  living and working in London.
My research-led practice re-evaluates natural resources through mythical, post-human, and non-extractive lenses, responding to the ecological urgency of our time.
My main interest lies in raw materials extracted through mining and quarrying, and the deep-time memories they hold. I look for character and agency in coal, metal, quartz and fresh water, shaping them into sculptural installations and images that blur boundaries between nature and artifice.

Digging into the earth is, to me, an act of unearthing ourselves, as we are all part of infinite, ever-transforming matter. Coming from a background in architecture, I became increasingly aware of the contradiction between our material continuity with the Earth and its living systems and the ways raw materials are reduced to commodified resources for extraction and consumption.

 I work in response to anthropocentric and growth-driven systems that position the Earth as passive matter, disregarding the environmental consequences of extraction and technological expansion. I also explore the material foundations of technologies, tracing how they remain reliant on mining and quarrying of minerals&#38;nbsp;while, at the same time, obscuring their material origins.



Education2025 · MA Contemporary Photography; Practices and Philosophies at Central Saint Martins, University of the Arts, London
 2013 · MA Architecture at Moscow Architecture Institute


Awards2025 · LVMH Maison/0 This Earth Award Winner
2024/2025 · 11th Fine Art Photography Awards, Professional Conceptual Category Nominee

Exhibitions
2026· Moire, Not For Sale Gallery, London
· Commencement &#124; Commandment, Prokofiev Studio, London· Arcana, Acme Billet Road Studios x Walthamstow Art Trail, London


· Drifting Signals, Lasting Traces, Aea Initiative x Tims, Lisbon· Oblique Gaze, Tae x Temporary Gallery, London
· Irving Open Exhibition, Irving Gallery, Oxford
2025· Soft Architecture, Inku Sphere x Studiohomeawareness, Milan
· Auto Amor Project Vol.2, The Art House, London
· We’ll Be Back Soon, Safehouse 1&#38;amp;2, London
· RA Summer Exhibition, coordinated by Farshid Moussavi, selected by Farshid Moussavi and Caragh Thuring, Royal Academy of Arts, London· World Building, Pistil Collective x Cornerstone Studios, London· Seven Artists Pop-Up Exhibition, Three Rooms, London2024· 17th Salon International Daguerre, Paris· RA Summer Exhibition, curated by Ann Christopher, selected by Anne Desmet, Royal Academy of Arts, London


Publications2026 · Leaving an Impression: INKU Sphere in Italy, MutualArt, New York2024 · Material Manifesto for perediza magazine, issue iii, London


	
	
	© 2026
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	<item>
		<title>No Place To Hide</title>
				
		<link>https://abelinskaya.com/No-Place-To-Hide</link>

		<pubDate>Thu, 11 Sep 2025 16:11:52 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/No-Place-To-Hide</guid>

		<description>
&#60;img width="3097" height="3871" width_o="3097" height_o="3871" data-src="https://freight.cargo.site/t/original/i/faaf4291a40e4488dbde2a5de769371bcf7d116ee5d50f204afe644eeaed0e14/01.jpg" data-mid="251093555" border="0"  src="https://freight.cargo.site/w/1000/i/faaf4291a40e4488dbde2a5de769371bcf7d116ee5d50f204afe644eeaed0e14/01.jpg" /&#62;
&#60;img width="3200" height="4000" width_o="3200" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4256879f9cb59c6812208f3f2460c8e628283835a05cd84659ec86f6d7550439/05.jpg" data-mid="251093556" border="0"  src="https://freight.cargo.site/w/1000/i/4256879f9cb59c6812208f3f2460c8e628283835a05cd84659ec86f6d7550439/05.jpg" /&#62;
&#60;img width="3132" height="3915" width_o="3132" height_o="3915" data-src="https://freight.cargo.site/t/original/i/5005e3ed30b04724a892bbd05cc2707d6638b659b8ca7d79e2a796c03e9696ce/03.jpg" data-mid="251093553" border="0"  src="https://freight.cargo.site/w/1000/i/5005e3ed30b04724a892bbd05cc2707d6638b659b8ca7d79e2a796c03e9696ce/03.jpg" /&#62;


	No Place To Hide
2026160x50x15cm
Reclaimed ice core storage container from British Antarctic Survey, clay, silica (quartz) sand

This is a reclaimed ice core container from Antarctica, which was sourced by me from the polar scientists of the British Antarctic Survey at Cambridge University. The note on the tube means that it used to hold a fragment of ice core drilled from Dyer Plateau in Antarctica in the year 1990. So this creature is probably also desperately trying to hide in the past, using this tube as a portal. 


The creature is made of quartz sandand clay. Sand is dry, and it is the opposite of water, while ice is water. A similar kind of sand, which is high-purity quartz sand, is the backbone of AI technological infrastructure. Glass, optic fiber, and semiconductors fuel the technological expansion that is heating the planet and imbalancing ecosystems. Not only locally where this quartz is extracted, but globally.


Antarctica has the most delicate and fragile ecosystem, and it is the most affected by climate change, which we can not hide from anywhere in the world.

	

	



	

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		<title>Slowest Wave</title>
				
		<link>https://abelinskaya.com/Slowest-Wave</link>

		<pubDate>Thu, 11 Sep 2025 18:07:49 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Slowest-Wave</guid>

		<description>

&#60;img width="3777" height="2437" width_o="3777" height_o="2437" data-src="https://freight.cargo.site/t/original/i/7661815bc904c50eb820991dc98ffb9848966f728012a67c5d538b63726f9895/Ice-core.jpg" data-mid="238127243" border="0"  src="https://freight.cargo.site/w/1000/i/7661815bc904c50eb820991dc98ffb9848966f728012a67c5d538b63726f9895/Ice-core.jpg" /&#62;
&#60;img width="3000" height="2248" width_o="3000" height_o="2248" data-src="https://freight.cargo.site/t/original/i/d9ca545f412e20664f58cb0f1e493059da94b03b4aa888848f932c46b0587095/Slowest-Wave-one.jpg" data-mid="238127247" border="0"  src="https://freight.cargo.site/w/1000/i/d9ca545f412e20664f58cb0f1e493059da94b03b4aa888848f932c46b0587095/Slowest-Wave-one.jpg" /&#62;
&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/8ef40cd3c8e28df1479c37a856d0c5ff613f00caef8398ec7e93999cb9bec3a3/Slowest-Wave-two.jpg" data-mid="238127250" border="0"  src="https://freight.cargo.site/w/1000/i/8ef40cd3c8e28df1479c37a856d0c5ff613f00caef8398ec7e93999cb9bec3a3/Slowest-Wave-two.jpg" /&#62;


	Slowest Wave
202550(h)×60x40 cmIce/water, Arthrospira platensis (blue spirulina), steel


LVMH Maison/0 This Earth Award Winner


This work emerges from my interest in extractivism and the material politics of natural resources. Motivated by research into polar ice drilling, it reflects on how fresh glacier water and natural cold are becoming some of the most precious resources of the near future and a ground zero for climate change. 

Inspired by my visit to the British Antarctic Survey in Cambridge, the piece draws on real scientific and environmental processes. It explores themes of memory, fluidity, and fragility, highlighting the slow yet irreversible release of frozen archives of Earth’s climate data and the loss of fragments of glacier time: trapped air, fresh water, and microorganisms dating back up to 800,000 years.

	The melting of ancient ice is a process that contributes to rising ocean levels, alters marine ecosystems by increasing water salinity in some areas and diluting it in others, and releases trapped greenhouse gases and ancient carbon dioxide. These processes accelerate global warming and disrupt the delicate balance of Earth’s climate.

	&#60;img width="2284" height="3045" width_o="2284" height_o="3045" data-src="https://freight.cargo.site/t/original/i/ef1a4a57c55e6ff40f03922f6994bb332818c180b7c3c216a8e1083a1c06e18a/Ice-core-storage-at-the-BAS.jpg" data-mid="238127258" border="0"  src="https://freight.cargo.site/w/1000/i/ef1a4a57c55e6ff40f03922f6994bb332818c180b7c3c216a8e1083a1c06e18a/Ice-core-storage-at-the-BAS.jpg" /&#62;
Ice core storage
Photo taken by me on 12 May 2025 at the British Antarctic Survey in Cambridge


	&#60;img width="2000" height="2667" width_o="2000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/e67b041f519bc885ed2b5d6823ba65970d2c22666525bc18fa45d62131e04ddd/Notebook.jpg" data-mid="238127256" border="0"  src="https://freight.cargo.site/w/1000/i/e67b041f519bc885ed2b5d6823ba65970d2c22666525bc18fa45d62131e04ddd/Notebook.jpg" /&#62;
Notebook spreads
1 - Experiment log: ice layering schedule and pigment solution ratios, 2 - Steel box sketches


	&#60;img width="2910" height="3879" width_o="2910" height_o="3879" data-src="https://freight.cargo.site/t/original/i/36635be2b6302d359b284c1314d9d06178b68859a5bc4e0f3828fecd0f01f7db/Ice-sample-in-the-freezer.jpg" data-mid="238127261" border="0"  src="https://freight.cargo.site/w/1000/i/36635be2b6302d359b284c1314d9d06178b68859a5bc4e0f3828fecd0f01f7db/Ice-sample-in-the-freezer.jpg" /&#62;
The first fully formed ice piece in the freezer

	&#60;img width="856" height="1280" width_o="856" height_o="1280" data-src="https://freight.cargo.site/t/original/i/6e30f4022b89a38ba7cd3ff15e3f9300d2f45f5ca213eff9dd5ccf62b0aaf5a5/photo_2025-06-12-20.20.37.jpeg" data-mid="238127253" border="0" data-scale="90" src="https://freight.cargo.site/w/856/i/6e30f4022b89a38ba7cd3ff15e3f9300d2f45f5ca213eff9dd5ccf62b0aaf5a5/photo_2025-06-12-20.20.37.jpeg" /&#62;
Me sanding the box
Photo by Daniel Bernal
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	<item>
		<title>Pylons</title>
				
		<link>https://abelinskaya.com/Pylons</link>

		<pubDate>Tue, 04 Nov 2025 17:11:07 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Pylons</guid>

		<description>
&#60;img width="4025" height="4025" width_o="4025" height_o="4025" data-src="https://freight.cargo.site/t/original/i/672928344dcc63421c4918bf8c8d6d0481a59300c17fdee813da9db820e99c0d/Belinskaya_Anastasia_Pylon_1.jpg" data-mid="240885530" border="0"  src="https://freight.cargo.site/w/1000/i/672928344dcc63421c4918bf8c8d6d0481a59300c17fdee813da9db820e99c0d/Belinskaya_Anastasia_Pylon_1.jpg" /&#62;
&#60;img width="3316" height="3320" width_o="3316" height_o="3320" data-src="https://freight.cargo.site/t/original/i/549ae84f73a6e9d0329383f5377d7eae2ba8c4669cd79e023b77296a3c53c5dd/Belinskaya_Anastasia_Pylon_s.jpg" data-mid="240247958" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/549ae84f73a6e9d0329383f5377d7eae2ba8c4669cd79e023b77296a3c53c5dd/Belinskaya_Anastasia_Pylon_s.jpg" /&#62;


	Pylon

2025
25x25cmGiclée print on archival paper
Edition of 30Ref.: R. Galbraith / CP Photo
	Our systems are intended to work seamlessly. We think of them as ordinary and boring, if notice them at all, until they fail and instantly disrupt our daily lives.When infrastructure fatigues, bends and breaks, it opens a space of raw uncertainty. In that failure, I see not only clash between human intention and natural force, but also a will to resist, a refusal of its physical body to remain within the system and conform to someone else’s ambition.


	
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/799a82b8713d59cb9a4ddb4106643e0e1020bd98388c411f27f074a6ec6ba7ea/1.jpg" data-mid="246512285" border="0"  src="https://freight.cargo.site/w/1000/i/799a82b8713d59cb9a4ddb4106643e0e1020bd98388c411f27f074a6ec6ba7ea/1.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/7deee6f2c075a45eda5478734df4dcad41ae04c9bbf06acb9632caa3fe1c2dcc/3.jpg" data-mid="246512283" border="0"  src="https://freight.cargo.site/w/1000/i/7deee6f2c075a45eda5478734df4dcad41ae04c9bbf06acb9632caa3fe1c2dcc/3.jpg" /&#62;

	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9239871779147a34d0c0195a47aff2202bcc75bc65959d58c45f62f4c67aad2e/4.jpg" data-mid="246512282" border="0"  src="https://freight.cargo.site/w/1000/i/9239871779147a34d0c0195a47aff2202bcc75bc65959d58c45f62f4c67aad2e/4.jpg" /&#62;
Soft Architecture, Inku Sphere x Studiohomeawareness, Milan
images courtesy of Inku Sphere



	
&#60;img width="3316" height="3320" width_o="3316" height_o="3320" data-src="https://freight.cargo.site/t/original/i/35b4dfe82e1186f64d5f01e16894537d507eaa8a4133c99c13f0c979e6918bca/Belinskaya_Anastasia_Pylon2_s-web.jpg" data-mid="249395327" border="0"  src="https://freight.cargo.site/w/1000/i/35b4dfe82e1186f64d5f01e16894537d507eaa8a4133c99c13f0c979e6918bca/Belinskaya_Anastasia_Pylon2_s-web.jpg" /&#62;
&#60;img width="4025" height="4025" width_o="4025" height_o="4025" data-src="https://freight.cargo.site/t/original/i/c1e1f8f1e76a5975c72258fcf04389a21b797a7104c44c2690b2e0e31e2698ba/Belinskaya_Anastasia_Pylon_2.jpg" data-mid="249395315" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/c1e1f8f1e76a5975c72258fcf04389a21b797a7104c44c2690b2e0e31e2698ba/Belinskaya_Anastasia_Pylon_2.jpg" /&#62;



	Pylon 2
202525x25cmGiclée print on archival paperEdition of 30Ref.: R. Galbraith / CP Photo
		These limited edition Giclée prints are produced to the highest museum standards, printed on 308gsm Hahnemühle Photo Rag made of 100% cotton. Each piece is hand-signed and numbered by the artist, ensuring its place in a strictly limited edition. Every print is accompanied by a physical Certificate of Authenticity.</description>
		
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	<item>
		<title>Dice</title>
				
		<link>https://abelinskaya.com/Dice</link>

		<pubDate>Wed, 06 Nov 2024 19:23:12 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Dice</guid>

		<description>
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2247a39db6c7a0697164ffd03e99bb59fe75beb41a60150832533feabb8aa4a3/02-copy.jpg" data-mid="221294647" border="0"  src="https://freight.cargo.site/w/1000/i/2247a39db6c7a0697164ffd03e99bb59fe75beb41a60150832533feabb8aa4a3/02-copy.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5b4f88ec8cafc835f80f3a89f0cce7f5c1b83ca77cc162580cb5db3600fa3553/01.jpg" data-mid="221290614" border="0"  src="https://freight.cargo.site/w/1000/i/5b4f88ec8cafc835f80f3a89f0cce7f5c1b83ca77cc162580cb5db3600fa3553/01.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c0fbb5526d776a4c2cc5b7dff1da452784453f0e8e34222973349ed4bc069f81/02.jpg" data-mid="221290615" border="0"  src="https://freight.cargo.site/w/1000/i/c0fbb5526d776a4c2cc5b7dff1da452784453f0e8e34222973349ed4bc069f81/02.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c8be40a27a36c52416addeb5bd2754052113da30f1745ab8aa361af09baabc16/03.jpg" data-mid="221290616" border="0"  src="https://freight.cargo.site/w/1000/i/c8be40a27a36c52416addeb5bd2754052113da30f1745ab8aa361af09baabc16/03.jpg" /&#62;


	Dice

2024
5x5x250cmBituminous coal, aluminium foil

The dice trace back to an ancient game called Knucklebones, where goat or sheep bones were weighted with lead and tossed onto the ground. In the 1st century in the Roman Empire, these bones began to take on a cubic shape. However, in many parts of the world, people still use animal bones to play this game.

Since the bones of vertebrates do not decompose but instead become embedded in the Earth’s crust, remains of ancient creatures are often uncovered during mining, making some of the most fascinating discoveries a by-product of resource extraction. Archaeologists, paleontologists, and miners all share an interest in digging, though for different reasons. 
The work explores what we treasure, along with themes of time, chance, and the game of life we all play—one with a definite outcome.


	

	
	
&#60;img width="2000" height="3001" width_o="2000" height_o="3001" data-src="https://freight.cargo.site/t/original/i/0a797e942648c49007dc03a0775f26c2baea6760aaa5ae4cb88b42d956fd5d1a/IMG_2687.jpg" data-mid="248126400" border="0"  src="https://freight.cargo.site/w/1000/i/0a797e942648c49007dc03a0775f26c2baea6760aaa5ae4cb88b42d956fd5d1a/IMG_2687.jpg" /&#62;
&#60;img width="3868" height="5803" width_o="3868" height_o="5803" data-src="https://freight.cargo.site/t/original/i/23a12b2fa536e269fbd74c06f71e1aa2475c13a7bb435280e8f466cca5777e24/webDice_2.jpg" data-mid="248126253" border="0"  src="https://freight.cargo.site/w/1000/i/23a12b2fa536e269fbd74c06f71e1aa2475c13a7bb435280e8f466cca5777e24/webDice_2.jpg" /&#62;
&#60;img width="3556" height="5333" width_o="3556" height_o="5333" data-src="https://freight.cargo.site/t/original/i/230be2dcb2235d64d0f4158635d997f682fc83b7f21f15bae745856fa7e60877/webDice_5.jpg" data-mid="248126249" border="0"  src="https://freight.cargo.site/w/1000/i/230be2dcb2235d64d0f4158635d997f682fc83b7f21f15bae745856fa7e60877/webDice_5.jpg" /&#62;
&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/767936aef2907f3346a761ff0aea783e2155c3a68c5682461f4bac8221fadb7a/webDice_4.jpg" data-mid="248126251" border="0"  src="https://freight.cargo.site/w/1000/i/767936aef2907f3346a761ff0aea783e2155c3a68c5682461f4bac8221fadb7a/webDice_4.jpg" /&#62;
&#60;img width="3559" height="5340" width_o="3559" height_o="5340" data-src="https://freight.cargo.site/t/original/i/713d7e50526522b20099807a8c4b267c66583d1e1dacc90700376ffa20e24f39/web_Dice_7.jpg" data-mid="248126381" border="0"  src="https://freight.cargo.site/w/1000/i/713d7e50526522b20099807a8c4b267c66583d1e1dacc90700376ffa20e24f39/web_Dice_7.jpg" /&#62;


	&#60;img width="4603" height="3068" width_o="4603" height_o="3068" data-src="https://freight.cargo.site/t/original/i/5b368bc19fc4e6223dff2f980aa0120e6a2d94d26d01b44f39304407165bc1da/IMG_2651.jpg" data-mid="248126240" border="0"  src="https://freight.cargo.site/w/1000/i/5b368bc19fc4e6223dff2f980aa0120e6a2d94d26d01b44f39304407165bc1da/IMG_2651.jpg" /&#62;
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		<title>Cryo-Genesis</title>
				
		<link>https://abelinskaya.com/Cryo-Genesis</link>

		<pubDate>Wed, 26 Feb 2025 13:16:50 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Cryo-Genesis</guid>

		<description>

&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/5a39402e41ac51754c673a18d5055634ebe0d405d0c3900025c4459c6ed6b8f8/DSCF4845.jpg" data-mid="227270177" border="0"  src="https://freight.cargo.site/w/1000/i/5a39402e41ac51754c673a18d5055634ebe0d405d0c3900025c4459c6ed6b8f8/DSCF4845.jpg" /&#62;
&#60;img width="4996" height="3330" width_o="4996" height_o="3330" data-src="https://freight.cargo.site/t/original/i/0cfdb9232b6c7d18d975c3d46124e0cf3e6c801894e3962fdf576dcad59116da/DSCF4902.jpg" data-mid="227270181" border="0"  src="https://freight.cargo.site/w/1000/i/0cfdb9232b6c7d18d975c3d46124e0cf3e6c801894e3962fdf576dcad59116da/DSCF4902.jpg" /&#62;
&#60;img width="5739" height="3826" width_o="5739" height_o="3826" data-src="https://freight.cargo.site/t/original/i/13df650caa149b0f60a114faae41c53b0ad0a5eca32f5714afc7bd018d2452c2/DSCF4866.jpg" data-mid="227270176" border="0"  src="https://freight.cargo.site/w/1000/i/13df650caa149b0f60a114faae41c53b0ad0a5eca32f5714afc7bd018d2452c2/DSCF4866.jpg" /&#62;
&#60;img width="2544" height="1696" width_o="2544" height_o="1696" data-src="https://freight.cargo.site/t/original/i/21cba56b9e4356d1c7b7fc88d5f8c667561f2999e8a86405b6baf08d550dd364/DSCF4898-2.jpg" data-mid="227270178" border="0"  src="https://freight.cargo.site/w/1000/i/21cba56b9e4356d1c7b7fc88d5f8c667561f2999e8a86405b6baf08d550dd364/DSCF4898-2.jpg" /&#62;
&#60;img width="5248" height="3499" width_o="5248" height_o="3499" data-src="https://freight.cargo.site/t/original/i/3d530e43712940b8743f531af1ed62e6a7036ed7cab6f8958cba9ef248c33647/DSCF4877.jpg" data-mid="227270175" border="0"  src="https://freight.cargo.site/w/1000/i/3d530e43712940b8743f531af1ed62e6a7036ed7cab6f8958cba9ef248c33647/DSCF4877.jpg" /&#62;


	Cryo-Genesis

202560x60x30cmBituminous coal, epoxy resin, aluminium wire, light
The piece explores the fears and myths surrounding human and technological impact on environmental changes.

It focuses on the melting of the northern ice sheets, which act as natural records of ancient life. These ice sheets store microorganisms that come back to life as they melt, highlighting the effects of climate change.


	


	&#60;img width="3397" height="5095" width_o="3397" height_o="5095" data-src="https://freight.cargo.site/t/original/i/5b63d381261879d45b1db139174a9c7d59d6ffdfc37008b99955e453e1a707c5/DSCF4859.jpg" data-mid="227270327" border="0"  src="https://freight.cargo.site/w/1000/i/5b63d381261879d45b1db139174a9c7d59d6ffdfc37008b99955e453e1a707c5/DSCF4859.jpg" /&#62;
	&#60;img width="3714" height="5571" width_o="3714" height_o="5571" data-src="https://freight.cargo.site/t/original/i/ba62a7005d700915bed50d2f8103066b333eb0c22ce0569c4a03c1ded0775810/DSCF4905.jpg" data-mid="227270173" border="0"  src="https://freight.cargo.site/w/1000/i/ba62a7005d700915bed50d2f8103066b333eb0c22ce0569c4a03c1ded0775810/DSCF4905.jpg" /&#62;


	
	

</description>
		
	</item>
		
		
	<item>
		<title>Creepers</title>
				
		<link>https://abelinskaya.com/Creepers</link>

		<pubDate>Wed, 29 Jan 2025 13:54:14 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Creepers</guid>

		<description>

&#60;img width="5684" height="3789" width_o="5684" height_o="3789" data-src="https://freight.cargo.site/t/original/i/de0ac47ffac71ff343de5aed7b4c27776844a3af5519f115ffebab34b00c0f6e/DSCF4817.jpg" data-mid="225739179" border="0"  src="https://freight.cargo.site/w/1000/i/de0ac47ffac71ff343de5aed7b4c27776844a3af5519f115ffebab34b00c0f6e/DSCF4817.jpg" /&#62;
&#60;img width="5321" height="3547" width_o="5321" height_o="3547" data-src="https://freight.cargo.site/t/original/i/e63c0ada40db53a6603c7f940bf73e9953012e93798f11850b40c6c59d3b8d18/DSCF4796.jpg" data-mid="225739184" border="0"  src="https://freight.cargo.site/w/1000/i/e63c0ada40db53a6603c7f940bf73e9953012e93798f11850b40c6c59d3b8d18/DSCF4796.jpg" /&#62;
&#60;img width="3748" height="2499" width_o="3748" height_o="2499" data-src="https://freight.cargo.site/t/original/i/4bc0e7d9efe751bb1682a6411d1c9b9525693b8139498fcddc88ed3e23ff287f/DSCF4798.jpg" data-mid="225739187" border="0"  src="https://freight.cargo.site/w/1000/i/4bc0e7d9efe751bb1682a6411d1c9b9525693b8139498fcddc88ed3e23ff287f/DSCF4798.jpg" /&#62;
&#60;img width="4345" height="2896" width_o="4345" height_o="2896" data-src="https://freight.cargo.site/t/original/i/ae802f60537e0740730e3cf82f7ac960923f3c2ef68f783148d9b26b3b70944a/DSCF4800.jpg" data-mid="225739188" border="0"  src="https://freight.cargo.site/w/1000/i/ae802f60537e0740730e3cf82f7ac960923f3c2ef68f783148d9b26b3b70944a/DSCF4800.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7ef40a86a37cb878f2fd049e3851b5ea3bd06d5eeee7e3c33eca2a5317d74d54/DSCF4815.jpg" data-mid="225739189" border="0"  src="https://freight.cargo.site/w/1000/i/7ef40a86a37cb878f2fd049e3851b5ea3bd06d5eeee7e3c33eca2a5317d74d54/DSCF4815.jpg" /&#62;


	Creepers

2025Dimensions variableBituminous coal, aluminium wire
This work blurs the boundary between animate and inanimate, exploring displacement and migration. It reflects how every process consists of smaller agents, each following their own path, yet contributing to a greater whole.


	


	
&#60;img width="2229" height="3343" width_o="2229" height_o="3343" data-src="https://freight.cargo.site/t/original/i/28001874f7e4088f8f03ddb7cf091cb19b30bfe1aed9a2201c04456268f5a8d5/DSCF4831djpgf.jpg" data-mid="225739963" border="0"  src="https://freight.cargo.site/w/1000/i/28001874f7e4088f8f03ddb7cf091cb19b30bfe1aed9a2201c04456268f5a8d5/DSCF4831djpgf.jpg" /&#62;
&#60;img width="3519" height="5279" width_o="3519" height_o="5279" data-src="https://freight.cargo.site/t/original/i/1b35e2811883e12d8634b7e07016c5a7a59e09cb47e2eed829944524b88a5d5f/DSCF4824.jpg" data-mid="225739183" border="0"  src="https://freight.cargo.site/w/1000/i/1b35e2811883e12d8634b7e07016c5a7a59e09cb47e2eed829944524b88a5d5f/DSCF4824.jpg" /&#62;
&#60;img width="3151" height="4726" width_o="3151" height_o="4726" data-src="https://freight.cargo.site/t/original/i/6c603b6c140c845fab98d9ce6fe12c9bb851ef258b47a29321cc93818917b8b4/DSCF4828.jpg" data-mid="225739181" border="0"  src="https://freight.cargo.site/w/1000/i/6c603b6c140c845fab98d9ce6fe12c9bb851ef258b47a29321cc93818917b8b4/DSCF4828.jpg" /&#62;
&#60;img width="3816" height="5724" width_o="3816" height_o="5724" data-src="https://freight.cargo.site/t/original/i/d2be3a7d7fe59e7c432ea469907e133fe5f640e38023acb1a0fc2640576414ed/DSCF4821.jpg" data-mid="225739180" border="0"  src="https://freight.cargo.site/w/1000/i/d2be3a7d7fe59e7c432ea469907e133fe5f640e38023acb1a0fc2640576414ed/DSCF4821.jpg" /&#62;
Seven Artists Pop-Up Exhibition, Three Rooms, London


	

	


	
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/37a09760b268e1348583112365caa4a296e31c58f9ad1833fdccd299ab8da96c/anastasia2.jpg" data-mid="243547746" border="0"  src="https://freight.cargo.site/w/1000/i/37a09760b268e1348583112365caa4a296e31c58f9ad1833fdccd299ab8da96c/anastasia2.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/b2eaa773a0312a4540876b3cbc841d03366874ce1598ace8319d0bac8fb0a0fe/anastasia5.jpg" data-mid="243547750" border="0"  src="https://freight.cargo.site/w/1000/i/b2eaa773a0312a4540876b3cbc841d03366874ce1598ace8319d0bac8fb0a0fe/anastasia5.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e6786f4dfe6a2b34ab68e37bc64a13623c2a2a40a4627f1186addf2b239e6c2a/anastasia3.jpg" data-mid="243547748" border="0"  src="https://freight.cargo.site/w/1000/i/e6786f4dfe6a2b34ab68e37bc64a13623c2a2a40a4627f1186addf2b239e6c2a/anastasia3.jpg" /&#62;
We’ll Be Back Soon, Safehouse 1&#38;amp;2, London

	

</description>
		
	</item>
		
		
	<item>
		<title>Primordial Soup</title>
				
		<link>https://abelinskaya.com/Primordial-Soup</link>

		<pubDate>Wed, 06 Nov 2024 20:09:06 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Primordial-Soup</guid>

		<description>
	

&#60;img width="2800" height="3733" width_o="2800" height_o="3733" data-src="https://freight.cargo.site/t/original/i/72ec88819d121aa408aec34d89c5d76b8f186011002061e9eacc2a11f76f196d/Primordial-Soup-2.jpg" data-mid="226664151" border="0"  src="https://freight.cargo.site/w/1000/i/72ec88819d121aa408aec34d89c5d76b8f186011002061e9eacc2a11f76f196d/Primordial-Soup-2.jpg" /&#62;
&#60;img width="4134" height="3000" width_o="4134" height_o="3000" data-src="https://freight.cargo.site/t/original/i/2088e6a083c3b93460761b4273782aa2c6219adcb3dd1cdef821586d595a3bbd/Scan.jpg" data-mid="221292923" border="0"  src="https://freight.cargo.site/w/1000/i/2088e6a083c3b93460761b4273782aa2c6219adcb3dd1cdef821586d595a3bbd/Scan.jpg" /&#62;


	Primordial Soup
2024
A3 (42x29.7cm)Photo-etching on Somerset White 300 gsm paper
Edition of 10

Everything new is made from preexisting components. This work merges elements from the Carboniferous period with modern technologies. The original image was created by scanning bituminous coal and overlaying it on a chemigram developed with a plant-based solution. 

The print you see is the result of almost alchemical processes that involved boiling the developer, etching a zinc plate in acid, soaking the paper in water, and, of course, cooking coal rocks from what was once a swamp.


	

</description>
		
	</item>
		
		
	<item>
		<title>Nest</title>
				
		<link>https://abelinskaya.com/Nest-1</link>

		<pubDate>Wed, 22 Jan 2025 15:41:45 +0000</pubDate>

		<dc:creator>Anastasia Belinskaya</dc:creator>

		<guid isPermaLink="true">https://abelinskaya.com/Nest-1</guid>

		<description>

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5ca663fca814b008afd5cccbb815af4b0445b7a1ad0b89da5022188450f76c81/DSCF4783-t.jpg" data-mid="225333888" border="0"  src="https://freight.cargo.site/w/1000/i/5ca663fca814b008afd5cccbb815af4b0445b7a1ad0b89da5022188450f76c81/DSCF4783-t.jpg" /&#62;
&#60;img width="2289" height="1525" width_o="2289" height_o="1525" data-src="https://freight.cargo.site/t/original/i/c2da6b68351af212d1a16bb806f9565f128c98133884aab02e5c947481d98f16/4765-2.jpg" data-mid="225333522" border="0"  src="https://freight.cargo.site/w/1000/i/c2da6b68351af212d1a16bb806f9565f128c98133884aab02e5c947481d98f16/4765-2.jpg" /&#62;


	Nest

202516x16x8cm
Interactive installationBituminous coal, aluminium wire, sound

The sculptural component features bituminous coal eggs in an aluminium wire nest, speculating on a post-human life form that merges technology with nature and communicates with viewers through a language beyond human comprehension.
To the memory of David Lynch.



	


	





	&#60;img width="1525" height="2289" width_o="1525" height_o="2289" data-src="https://freight.cargo.site/t/original/i/6113ae82e0eae29c4d8321698be1c8692563c982d9b91dec3e8560d921962d4d/4765.jpg" data-mid="225333543" border="0"  src="https://freight.cargo.site/w/1000/i/6113ae82e0eae29c4d8321698be1c8692563c982d9b91dec3e8560d921962d4d/4765.jpg" /&#62;
	&#60;img width="1525" height="2289" width_o="1525" height_o="2289" data-src="https://freight.cargo.site/t/original/i/8f4a71ab036938cff4835f419a8366db2b8761199061e65b4157ef84dd61e8b4/4766.jpg" data-mid="225333542" border="0"  src="https://freight.cargo.site/w/1000/i/8f4a71ab036938cff4835f419a8366db2b8761199061e65b4157ef84dd61e8b4/4766.jpg" /&#62;


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